¹p¿Õ¨È(Pierre Auguste Renoir) 1841-1919
¹p¿Õ¨È¬°ªk°ê¦L¶H¬£µe®a¡C¥Lªº§@«~ÃD§÷´yø¤Ú¾¤¥Í¬¡¤¤ªº³Ù¼M´º¶H©M®ð®§¡Aµe§@¦â±mÂAÄR¡B¸`«µ©ú§Ö¡Aµe±¬v·¸µÛ©¯ºÖ·P»P¬ü·P¡A¦]¦¹¦³¡u§Ö¼Öµe®a¡v¤§ºÙ¡C¹p¿Õ¨È»{¬°Ã¸µe¤£¬O´¼©Ê«ä¦Ò¬¡°Ê¡Aª½Ä±»P§Þ¥©¤~¬Oøµeªººë¯«»P¥»½è¡C
«B³Ê Les Parapluies (The
Umbrellas), 1881-1886, µe¥¬¤Wªo±m, 180 x 115
cm |
·Î»æ¿i§{ªº»R·| The Ball at the Moulin de la Galette¡A1876¡Aµe¥¬¡Eªo±m¡A120 x 94 cm |
°¨©`(Edouard Manet) 1832-1883
°¨©`¬Oªk°ê19¥@¬öµÛ¦Wµe®a¡A¦L¶H¬£»â³S¡C¥L´¿¶i¤J¾Ç°|¬£µe®a®w¹Ïº¸µe«Ç¾Ç²ß¡A¦ýµLªk®e§Ô¾Ç°|¬£ªº¨ººØ»ø¤Æ»Pµê°²¡AÂ÷¶}µe«Ç«á¡A¥L¨ì¦U¦a¬ü³NÀ]Á{¼±©M¬ã¨s«e¥N¤j®v̪º§@«~¡C°¨©`¥H¨ä±j¯PªºÃ¸µe±Ó·P©Ê©M¨ä¨å½d©Êªº§@«~¡A¨Ï¥L©Ò³B®É¥NªºÃ¸µeµo¥Í¤F¤Ñ½¦aÂЪºÅܤơC
§j²Ã¤â The Fifer, 1866, µe¥¬¤Wªo, 161 x 97 cm |
¶§¥x The Balcony, 1869 |
¶øªL¤Ç¨È Olympia, 1863, µe¥¬¤Wªo±m, 130.5 x 100 cm |
²ö¤º(Monet, Claude) 1840-1926
¦~»´®É¨ü°¨©`ªºµe¼vÅT¡A¤S±o¨ì¥¬¤¦ªº±Ð¾É±Ò»X¡AÅé·|¦b¤á¥~¼g¥Í«O¯d³Ìªì¦L¶H¡C¦¦~¥L´¿±µ¨ü¾Ç°|¬£±Ð¨|¡A¦ý¦]»P¦Û¤vªº²z©À¤£¦P¦Ó¨S¦³±µ¨ü¨ä§Þªk¡C²ö¤º§ó³q¹L¬ã¨s¥~¥ú¡B¤ôªi¤ÎªÅ®ðªº¦â±m·P¡A³Ð³y¤F¦â½Õ¤À³Îªk¡A±q¦Ó«Ø¥ß¿W¯SªºÃÀ³N·®æ¡C
St. Romain Soleil |
The Stroll, Camille Monet and Her Son
Jean (Woman with a Parasol) 1875; Oil on
canvas, 100 x 81 cm |
¦L¶H¡E¤é¥X
Impression, Sunrise, 1872, ªoµe, 48x63 cm |
·s¦L¶H¬£
¨q©Ô(Georges Seurat) 1859-1891
¨q©Ô¬Oªk°êµe®a¡A·s¦L¶Hµe¬£ªº³Ð©l¤H¡C©ó1880¦~´¿¦V²ö¤º¾Ç²ßøµe§Þªk¡A«á±N¦L¶H¥D¸qøµe¥[¥Hµo®i¡A¥H¡uÂI´yªk¡v§@µe¡A¾ãÓµe±³£¬O¥Î·¥¤pªº¦âÂIÂл\¡A¨Ï¤§¦bµøı¤W²£¥ÍÅå¤Hªº¦â½Õ¹L´ç¡A¥L«²z©À¡Aºc¹Ï³W«h¡A¹ï«á¨Óªº°ª§ó¦³«Ü¤jªº¼vÅT¡C
¤j¸J®q®L¤Ñªº¶g¤é¤È«á Sunday Afternoon on the Island of La Grande Jatte 1884-86, ªo±m¡A208x308cm |
®æÄõ¼w¡D¥[¯Sªº³±¤Ñ Gray Weather, Grande
Jatte, 1888, µe¥¬¤Wªo±m, 27 3/4 x 34
inch |
Gravelines |
¦è®º§J(Paul Signac) 1863-1935
¦è®º§J¬O¨q©ÔÂI´yµeªkªºÄ~©ÓªÌ¡A¤£¹L¦è®º§Jªºµe·¤ñ¸û¦Û¥Ñ»¨©ñ¡Aµe±ªº¦âÂI¸û¤j¦Ó¥æ¿ù¡A§e²{¬y°Ê·P¡A¨S¦³¨q©Ô¨º¼Ë§¡¤Ã¡A¬¡¼â¥Í°Êªº¯S¦â¼vÅT¤F±ë°ª¡C1899¦~¡AµoªíÆp¬ã¦h¦~ªº¡u±q¼w©Ô§Jâp¨ì·s¦L¶H¥D¸q¡vµÛz¡C±q¦¹·s¦L¶H¥D¸qªº¬ì¾Ç¤èªk²z½×¡A¦³¤F½T¹êªº¨Ì¾Ú¡C
«á¦L¶H¬£
¶ë©|(Paul Cezanne) 1839-1906
¶ë©|¡Aªk°êµe®a¡C¥L»{¬°¦L¶H¬£µe®aªí²{ªº¥DÆ[·Pı©M¦L¶H¸g±`¬O²V¶Ãªº¡A¦]¦¹¥D±i±Æ¥¸¨Æª«°{°Ê¦Ó¼Ò½kªº¥~ªí¡A¥h»â®©¨º¥Ã¤£§ïÅܪº¤º¦b¯u¹ê¡C¥LÃö¤ß¹êÅé·P»Pºc¹Ï¡AÃö¤ß§¡¿Å»Pµ²ºc¡Aµe±Åã¥Ü¥X¾®««p¹ê©MùÚ©w«ù¤[ªº·Pı¡C
Joueurs Cartes |
Äå®ç (ÀRª«) Still Life with Plate of
Cherries, 1885-1887, ªoµe |
The Abduction, 1867, ªoµe |
°ª§ó¬°¦L¶H¬£«á´Áªºªk°êµe®a¡C´¿»P±ë°ª¦@¦P¥Í¬¡¤@¬q¤é¤l¡C1891¦~«á¡A¥L¨ì¤j¬v¬wªF«n³¡ªº¤j·Ë¦a¥Í¬¡©M³Ð§@¡A´y¼gì©l¦ÛµM¬Éªº«ººA¡A³Ð³y¥X¾ë¯À¤Ñ¯uªºµe·¡A¦³§O©ó¦L¶H¬£ªºÃ¸µe¡A¥´¯}¦è¤èÃÀ³Nªø´Á¨ü¦ÛµM¥D¸qªº§ô¿£¡C
Where Do We Come From? What Are We?
Where Are We Going? 1897, Oil on canvas, 54 3/4 x 147 1/2 in Museum of Fine Arts, Boston |
¤£¦C¶ð¥§¹A°ü Breton Peasant Women, 1894, µe¥¬¤Wªo±m, 66 x 92.5 cm |
±ë°ª(Vincent Van Gogh) 1853-1890
1886¦~¡A±ë°ª¨Ó¨ì¤Ú¾¤«á±µÄ²¦L¶H¬£¡A¶}©l¨ü¨ä¼vÅT¡C¥Lªº§@«~¥]§tµÛ²`¨èªº´d¼@·NÃÑ¡Aªí²{±j¯PªºÓ©Ê©M¦b§Î¦¡¤Wªº¿W¯S°l¨D¡C¥L¥HÀô¹Ò¨Ó§ì¦íª«¥ó¡A«·s§ïÅܲ{¹ê¡A«P¦¨¤Fªí²{¥D¸qªº½Ï¥Í¡C¥Lª½±µ¼vÅT¤Fªk°êªº³¥Ã~¥D¸q¡B¼w°êªºªí²{¥D¸q¡A¥H¦Ü©ó20¥@¬öªì¥X²{ªº§ç±¡©â¶H¨v¹³¡C
²Ä¤@¨B First Steps (after Millet)
1890; ªoµe, 72.4 x 91.2 cm |
¬P©] The Starry Night 1889¡Aªo±m¡A95x73cm |
¤Q¤G¦·¦V¤é¸ª Vase with Twelve Sunflowers, 1888, µe¥¬¤Wªo±m, 91 x 71 cm |
ù¯S¦C§J(Henri de Toulouse Lautrec) 1864-1901
ù¯S¦C§J¬°ªk°ê¶Q±Ú¤§«á¡A¦ý¥®¦~¦]¶Ë´Ý¦Ó³Q©t¥ß¡C¥LªºÃ¸µe±µªñ¯À´y¤âªk¡A¥H¦L¶H¬£ªºµ§Ä²®·®»¤Ú¾¤ªº©]¦â¡C§@«~ÃD§÷¦h¬°ºtû¡B»RªÌ¡B°¨À¸¹Îªí²{ªÌ¤Î±@§²¡C
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